How to Use This Book
All the toys in this book were made by children. They are
not like the ones you can buy in most shops. These toys are
made of simple everyday materials, based on folk toys created
by toymakers from different parts of India.
When we made the toys, different age groups reacted
differently. The younger children were happy just making and
playing with their toys. The older ones were much more curious
to find out how they worked. And some of the adults wanted to
know more about the toys and how children played.
So we designed this book to be used by different age
groups. This does not mean that the divisions have to be
followed strictly. You may belong to a particular age group
and find yourself interested in other sections as well. If so,
go ahead and dip into the book in any order you choose.
If You are Below 12
For each toy, these are the sections meant for you, which
will tell you how to make the toy and play with it. The other
sections are for older children and adults. Of course, if you
find them interesting, feel free to read them.
This is how we have divided your section.
What it is made of
Under this heading, you will find a list of the materials
you need to make the toy. If you cannot find the material we
have used, try using something similar instead. For instance,
if you do not have chart paper, you can use thin cardboard.
Just make sure it has similar qualities, like thickness or the
way it bends.
How it is made
Here, we explain how to make the toy, step by step. Each
step is illustrated. The first time you do it, try to follow
the instructions exactly. Later, you can try out variations.
For example, you can turn a Break-dancer into a bird, or a
Jitter-bug into a monkey.
What is does
This tells you how to make your toy work.
When it doesn't
Sometimes a toy does not do what it is supposed to Maybe
there is nothing wrong with the way you made it, you may just
need some practice to get it to work. Or you may need to pay
special attention to a particular step in making it. Here we
tell you where you might have gone wrong in making the toy
Games, Jokes, Stories and Tricks
After we made the toys, some of the children were content
just to play with them. Others came up with all kinds of other
ways of using the toys. We have included them in this section,
to give you ideas on what you can invent.
If you are 13-16
Many of the principles that you have learnt in science can
be seen actually at work in these toys. This section explains
some complex scientific phenomena using the toys.
A Scientific Principle
Here we explain the main principles on which the toy works.
Sometimes, if there are too many different physical laws at
work, we have only talked about the most significant of them,
to avoid making it too complicated. You will find that some of
the toys, but not all, have diagrams that show the forces that
are acting on the toy. We have drawn diagrams only if they
help in clearly illustrating the principle.
Try
Here, we have suggested variations that you could try with
the toy. Some of the variations give the toy a different look,
others use the basic principle to make new toys. We have
suggested experimenting with different dimensions, proportions
and materials. Observe the changes in the way the toy works
with these variations, and try to figure out why this happens.
Think
Once you know how the toy works, it is interesting to
connect these principles to phenomena we find around us. For
instance, the Screech works just like our vocal chords do.
You might also be able to connect the way a toy works to
what you are learning in class, either directly or indirectly.
We have asked some questions to help you to think about these
things.
Hint: here we do not give you the answers, but leave you
with a clue.
If you are an adult
The experience of making these toys with children led us to
reflect on toys and play in today's world. This is something
we rarely think about-after all, children have always played,
with our without adult encouragement. Do we really need to
spend time on something, which comes so naturally to children?
Should not we, in fact, concentrate on getting them interested
in more productive activities?
On the contrary. Play is essential for children, it is the
business of life. It enables them to be creative in
unstructured, imaginative and individual ways. Our
observations also convinced us that parents and educators
today need to be concerned about the ways in which their
children play, and the toys they play with. Because the
quality of play-which we have always considered as innate in
children-has changed in our times, particularly in affluent
urban areas. Although we are led to believe that children
today have it far better than a generation ago, we need to
find out if this is really so.
For one, many have too little time and space to play.
Secondly, active play has been increasingly taken over by
entertainment. And thirdly, a lot of play these days centers
around expensive toys and games, with the media and the toy
industry pressurizing children into believing that they need
all these commodities. We cannot expect young children to deal
with these pressures on their own. They need adult guidance
This section of the book is intended to enable the
concerned adult to make such informed choices. It discusses a
number of current issues related to toys and play, in the
context of larger pedagogical and social concerns.
Our effort in this book is to bring back the now forgotten
quality of play which arises from making and playing with folk
toys, using everyday materials.
We do not suggest that this is the only answer to today's
consumerist culture that would be both romantic and
impractical. As the section on the decline of traditional toy
making demonstrates, a genuine revitalizing of this dying
tradition is possible only with concerted action at many
levels.
Yet we do believe that these wonderful toys are a potent
symbol of the direction we need to take. They revive many
qualities we do not value today: simplicity, ingenuity and a
sheer delight in play which is not tied up with expensive
products.
In the final analysis, we would like the reader to look at
what is valuable and living in such traditions, and examine
contemporary choices in that light.
Contents
| Screech |
|
| Toys that Make Noise |
|
| A Buzz |
14 |
| Buzz, Buzzer, Buzzest |
16 |
| Frequency of Sound |
17 |
| The Decline of Folk Toymaking |
18 |
| Screech |
19 |
| Sound Effects |
20 |
| Vibration of Membranes |
21 |
| Twenty-five Things |
22 |
| Stitch-n-time |
23 |
| Rhythm Band |
25 |
| Transport Mechanism |
26 |
| Short-lived Toys |
27 |
| Croakerdile |
28 |
| The French Connection |
30 |
| Transmission and Amplification of Sound |
31 |
| Things which Became Toys |
32 |
| Flute-hoot |
33 |
| Moody Toy? |
35 |
| Vibration of a Reed |
36 |
| Process and Product |
37 |
| A Hum |
38 |
| A Koan |
40 |
| Fluttering Caused by Air Flow |
41 |
| A New Year Gift |
42 |
| Rat-a-tat |
43 |
| The Penguin Game |
45 |
| Conversion of Mechanical Energy into Sound |
46 |
| True Interaction |
47 |
| Rock And Roll |
|
| Toys that Dance |
|
| Break-dancer |
50 |
| Thirst Prize |
52 |
| Centre of Gravity |
53 |
| A Material Difference |
54 |
| Jitter-bug |
55 |
| The Jittery Monkey |
57 |
| Friction and Elasticity |
58 |
| Play and Learning |
59 |
| Twist |
60 |
| The Sad Clown |
62 |
| Centrifugal Force |
63 |
| Truly Boring |
64 |
| Be-bop |
65 |
| Frog Race |
66 |
| Conversion of Stored Energy into Kinetic Energy |
67 |
| Contemporary Tradition |
68 |
| Rock-n-roll
| 69 |
| Son of an Owl? |
71 |
| Stable Position |
72 |
| Magic and the Mystery of Function |
73 |
| POP UP |
|
| Toys which Play Tricks |
|
| Clap-trap |
76 |
| A Practical Joke |
78 |
| Conversion of Kinetic Energy into Sound |
79 |
| Playing a Practical Joke |
80 |
| Flower-power |
81 |
| Magic Show |
83 |
| Two-way Hinge |
85 |
| Magic |
86 |
| Pop-Up |
87 |
| Hair Today Gone Tomorrow |
89 |
| Folding and Unfolding |
91 |
| Imagination and Imitation |
92 |
| SPINNING SARDINES |
|
| Toys that Move With the Wind |
|
| Retpocileh |
94 |
| A Surprise |
96 |
| Turning Force: Vertical Axis |
97 |
| Physics, Biology,
Technology…What is a Toy? |
98 |
| Flutter-fly |
99 |
| The Race of the Pig and the Beetle |
101 |
| The Bernoulli Principle |
102 |
| Play Value |
103 |
| Spinning Sardine |
104 |
| Last is First |
105 |
| Turning Force: Horizontal Axis |
106 |
| Traditional Play |
107 |
| Naf |
108 |
| Naf-a-thon |
109 |
| Rotation Due to Air-Flow |
110 |
| For Boys and Girls |
111 |
| SHOOT A REEL |
|
| Toys That Need Skill |
|
| Huff-n-puff |
114 |
| Who is the Huffiest of Them All? |
115 |
| Air Pressure and Smooth Air Flow |
116 |
| Changing the Rules of the Game |
117 |
| Pencycle |
118 |
| Pencycle Games |
120 |
| Centrifugal and Centripetal Forces |
121 |
| Toys Without Form |
122 |
| Coma-toes |
123 |
| Round and Round |
125 |
| Conservation of Energy |
126 |
| What is Play? |
127 |
| Yankee |
128 |
| The Mystery of the Missing Pulp |
130 |
| Rotational Momentum |
131 |
| Documenting Tradition |
132 |
| Creep-jeep |
133 |
| Cable Car Race |
135 |
| Friction |
136 |
| Playing the Game |
137 |
| Shootareel |
138 |
| Fun and Games |
140 |
| Energy Conversion |
141 |
| Violent Toys |
142 |